"Now?" Magnificent was the sound Mrs. Gereth threw into this monosyllable. "And pray who's to take you?" Fleda gave a colorless smile, and her companion continued: "Do you literally mean that you can't put your hand upon him?" Fleda's wan grimace appeared to irritate her; she made a short, imperious gesture. "Find him for me, you fool—find him for me!" "Has let herself go." Mrs. Gereth spoke as if she saw it in every detail.!

She showed her amusement. "They've a much better right to say it's none of mine." "And do you say you love her?"

"Oh, 'anything' is nothing at all! That's too easily said." Mrs. Gereth, reclining more completely, closed her eyes with an air of disgust, an air indeed of inviting slumber. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "I said to her that her question revealed a total misconception of the nature of my present relations with my son. I said to her that I had no relations with him at all, and that nothing had passed between us for months. I said to her that my hands were spotlessly clean of any attempt to make him make up to you. I said to her that I had taken from Poynton what I had a right to take, but had done nothing else in the world. I was determined that if I had bit my tongue off to oblige you I would at least have the righteousness that my sacrifice gave me."